Learning how to wrong-foot a villain at The Old Ship Hotel

The Malcolm Saville Society Literary Conference, 

Friday 21 April, 2017 at the Old Ship Hotel, Brighton

The Old Ship, side-street view. Tony Gillam (c) 2017

Overlooking the seafront, The Old Ship is the oldest hotel in Brighton.  Parts of the building date back to 1559. Dickens stayed there in 1841 – a prolific year for him that saw the publication of both The Old Curiosity Shop and Barnaby Rudge. The hotel is also mentioned in Graham Greene's 1938 novel Brighton Rock (‘This gentleman’s invited me to the Old Ship,’ she said in a mock-refined voice. ‘Tomorrow I shall be delighted, but today I have a prior engagement at the Dirty Dog.’)

With so many historical and authorial associations, the hotel seemed an ideal location for a literary conference. And so it was that the Malcolm Saville Society chose this setting for their first literary conference on the life and work of the children's author. In fact, the Society was holding their annual weekend-long gathering there this year, but I had come along just for this stand-alone event. The conference was aimed at society members and was also open to members of the Alliance of Literary Societies. Elder statesman of the Malcolm Saville Society Frank Shepperd had long thought it would be a good idea to run such a conference. As Frank astutely pointed out to me when we chatted, some members of the society are not as young as they were and, for all our enduring fondness for the real-life locations in which Saville set his books, the prospect of scrambling up the Long Mynd or across Dartmoor in the wind and rain may not be as feasible as it once was. 

Brighton pier sunset. Tony Gillam (c) 2017

Instead, we were treated to a series of talks in which various members of the society reflected on what Saville's books meant to them. All the presentations were peppered with little gems of information and affectionate insights.  

I particularly enjoyed Phil Bannister's talk on Strangers at Snowfell (1949) – the only Saville book set in the Lake District. Phil broadened the discussion to compare and contrast Saville's approach with that of Geoffrey Trease who set five novels for children in the Lake District. 

Patrick Tubby gave a delightful account of his rediscovery of Saville books and subsequent membership of the society, claiming that he was nearly thrown out when it was revealed he had never visited Saville's spiritual home of Shropshire.  Happily, Patrick has since remedied this and his description of his encounters with the county and the Lone Pine locations were as poetic and sublime as Saville's own.

Another sunset on Brighton Pier. Tony Gillam (c) 2017

Alan Stone's talk explored some of the environmentalist aspects of Saville's books.  I hadn't appreciated quite how often Saville used the device of baddies posing as birdwatchers who are (repeatedly) caught out by their lack of ornithological knowledge.  How many modern day children would know enough about bird-watching to wrong-foot – and thus unmask – a villain?

It was great to meet so many members of the society in such a lovely old building.  My grateful thanks to Frank, who hosted, and to all the contributors and organisers for their hard work in preparing and presenting such an entertaining and informative conference. Also thanks to The Old Ship Hotel staff who provided novel refreshments to accompany the tea and coffee in the form of popcorn, chocolate and ... of course, sticks of Brighton Rock.  

Celtic-Medieval Speed Folk... courtesy of PerKelt

PerKelt - Live at The Artrix, Bromsgrove, Saturday 11 March

It was somewhat startling to see the members of PerKelt, conspicuous in their flowing medieval cloaks and kilts, among the gathering audience sipping cappuccinos in the foyer of the Artrix Arts Centre. But any sense of alarm was quelled by the sight of them carefully applying face paint to one another's foreheads, before heading backstage in readiness to play. 

PerKelt describe their sound as Celtic-Medieval Speed Folk. This belies the lyricism of moments like 'The Willow Song', (a setting of Shakespeare's ballad from Othello) and John Dowland's ‘If My Complaints’. All three members of PerKelt – founding members Stepan Honc (guitar and vocals) and fellow Czech Paya Bastlova (vocals, recorders and harp) – are astonishingly good musicians. The most recent recruit, French drummer/percussionist David Maurette, adds to the vibrancy, warmth and good humour.

Paya is able to alternate between sweet lamentation and a harder-edged singing voice and switched from singing to recorder without missing a beat or a breath. What's more, the challenging choice of material called for multilingual skills with ‘Ay Vist Lo Lop’ sung in the Occitan language of southern France and ‘Herr Mannelig’ in Swedish. Stepan was sensitive to the intimacy of the venue and chose to restrain his urge to rock out on speed folk, changing the set list to include a few more downbeat selections. There is, though, an irrepressible, almost grunge sensibility to PerKelt which means for every soft, delicate moment it won't be long before the guitar, drums and recorder joyfully let rip again.