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| Keswick's Alhambra cinema |
In my early twenties I visited the Alhambra – the fortified
Moorish palace built between 1248 and 1354 near the Andalusian city of Granada.
Of course, the grandeur and majesty of the place was impressive but my abiding
memory of my visit was pain and exhaustion after climbing the hill in the heat
with a swollen (or possibly sprained) ankle. I soaked a towel in a fountain to
use as a cold compress for my foot as we rested up on the ancient ramparts.
Now I'm in my mid-fifties and, on a visit last month to the Lake District,
I somehow managed to injure my knee at the start of a week's walking holiday. So,
once again, I found myself nursing a sprain or strain of some sort at The Alhambra ...this time The Alhambra Cinema in Keswick, one of the few cinemas in the UK to
have been in continuous operation for over 100 years, since it first opened in
1914.
We had gone to see The Darkest Hour (which has
since deservedly won a couple of Oscars.) The film, in case it's passed you by, is about Winston Churchill, ineffectual government,
the threat of invasion and the power of rhetoric. While the story is part-myth,
part-fantasy, part-history, The Darkest Hour resonated with me because it feels we are once
again living through dark times, contending with tyrannical forces threatening the world's
tenuous hold on peace and freedom while our hapless politicians struggle to produce
memorable soundbites, never mind speeches that might capture the mood of the
nation.
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| Thomas Carlyle |
Later, In the Oxfam bookshop in Keswick, I happen upon a Collins Illustrated Pocket Classic edition of Thomas Carlyle's 1841 book
On Heroes, Hero
Worship and the Heroic in History. Originally retailing for one shilling, I
pick up my copy for a mere £2.99. I reference Carlyle – the Victorian philosopher and essayist
– in my new book
Creativity, Wellbeing and Mental Health Practice, in a
chapter called
Creative Approaches to Learning and Leadership. Carlyle
is credited with creating the so-called Great Man Theory of leadership, of
which Churchill is often cited as a classic example. If the idea that history
provides great men to lead us in our darkest hours is a questionable one, it remains
an attractive and compelling myth, from King Arthur's Camelot to
The Darkest
Hour. Yet, we all know it is the ordinary men and women, like the character
of Churchill's secretary, Elizabeth Layton, and the passengers Churchill meets on the
London Underground in
The Darkest Hour,
who help make peace and freedom
possible.
